Action packed films are bursting with tension and thrill but what if every single moment in the film meant something? What if a camera angle, pair of sunglasses, and a stop light meant something greater than just the sole purpose of its use? What if every time an audience watches the film, there is something new that they notice? In Edgar Wright’s Baby Driver, Wright packs the film with hidden meanings that take more than just one watch to notice.
About the presenterEmma D. Pile
I am a junior at Elizabethtown College where I study communications, theatre, and film studies. I am from Somerset, PA so I spend a lot of time in Pittsburgh where most of my family lives. I love photography, journalism, and traveling. My favorite director is Edgar Wright.