Skip to main content

Presenters

David C. Lane
Shekendra Morgan

Abstract

This research examines how tattooists, as service providers, construct and present race through their promotional materials. Much like other service occupations tattooists need to locate clients. To entice potential clientele, tattooists provide samples of their work in the form of an online portfolio, which contains images of tattoos or art produced. Drawing on Goffman’s (1976) understanding of how gender is presented in advertisements, this research examines how tattooists present race in their portfolios. In other words, each portfolio is a social situation in which messages about race are presented to an audience. This research concludes that tattooists’ portfolios disproportionately show images containing members of specific racial categories. The implications of this work demonstrate how race and racial categories are social constructs, contextually situated, that operate across social worlds.