Bringing together scholars from diverse academic fields, this new area for 2025 fosters interdisciplinary dialogue and critical inquiry into the band Phish’s music, its fan communities, and its varied impact on American culture.
Phish’s influence extends far beyond the stage, shaping business models, live performance aesthetics, fan communities, and even the evolution of American music festival culture. From deep dives into the band’s improvisational techniques to examinations of their unique relationship with technology and commerce, this area seeks to illuminate the myriad ways in which Phish has become a defining force in popular and American culture.
We welcome a wide range of interdisciplinary methodological and theoretical approaches to the sonic, narrative, performative, theoretical, visual, social, and cultural worlds of Phish, including, but not limited to:
Business: Business practices; Place within music industry; Tape trading; Early adoption of the internet; Media framing of Phish; Influence on American music festival culture; Influence on the jam band genre
Elements of Live Performance: Cover songs; Concert lighting; Venues (accessibility; sustainability; safety); Instruments and gear; Fan space and place
Fan Culture: Fan communities (virtual; face-to-face); Fan communication; Fandom; Fan art; Parking lots; Tape trading; Issues of race, gender, religion, sexuality, & disability; Activism; Subcultural identities; Fan mythologies; Ethics
Music and Lyrics: Compositional practice; Improvisational strategies; Band mythologies, including its world-building song catalog; Questions of genre; Historiography; Literature & poetry; Rhetorical analysis; Philosophical questions; Side projects; Music theory; Affect and embodiment
Quantitative Analysis: Analyses of setlists, fan show ratings, & tour itineraries.
We welcome submissions of single papers, panels of 3 or 4 papers, roundtables, or alternative formats. Please send general questions and/or inquires to this area using the “Email area chairs” link.